Saturday, January 20, 2018

What're We Waiting For


“Okay sir. Thank you for your business okay.”

“Uh, sure. Yeah. What do I, uh, owe you?”

“Twenty-two ninety-three please.”

The passenger reached into his back pocket and extracted a worn bifold. He pried the wallet open and fingered his cash.

“You, uh, take plastic?”

“Yes sir. Of course sir.”

The passenger proffered his credit card to the driver. The driver prepared a receipt. They completed the transaction. The driver exited and slid the side door open.

“Let me get your bags for you Mister Itner sir.”

“Oh, I’ve just got the one.” The passenger lurched out of his seat. “I think I can manage.”

The driver reached for the dated Samsonite as the passenger started to heave it out of the taxi. The driver backpedaled. The passenger groaned and stomped one busted loafer on the pavement, then the other.

The passenger looked toward the entrance. “It’s, uh, been a while. Do I make a right or left in there or what?”

“Of course sir. Go through these glass doors and make a right. Follow the signs for your airline. They can help you further sir.”

“I hope so.” The passenger hoisted his suitcase off the ground. “Thanks.”

“You’re welcome sir. Safe travels Mister Itner sir.”

The passenger hobbled across the exit lane, his free arm protruding for balance. He paused to wipe his brow and continued.

Though it was not yet dawn, the terminal gleamed with bright, cold light. High overhead, a smooth concave ceiling capped the chaos beneath with matte white serenity. To his right, clumps of people clotted around computer stations. A bank of screens displayed arrivals and departures in flashing yellow and white text. The first of many lines wound behind a blue and red counter. 

The passenger checked his watch. 4:52. He had a little over two and a half hours before takeoff.

***

People hug, and people kiss. People wave and smile, frown and cry. Some merge back into traffic, onto ramps and highways, and off to familiar streets where the days drone on with bleak sameness. Some merge into queues, onto planes and runways, and off to distant lands where constant novelty saturates experience until it doesn’t.

***

The passenger walked towards a bright red counter with a pair of nested triangles mounted above it. He stood behind a young couple who were trading barbs in hushed tones. A child in a nearby stroller swung her toy. 

“Is this the, uh, line to get on board?”

“What? No. Security’s over there. Down the escalator.” The woman gestured to the checkpoint.

“Oh.” The passenger put his suitcase down. “Then what’re we waiting for?”

“This is where you check your bags or check in or try to change your flights or whatever.”

“I just bought my ticket last night. Over the phone.” He adjusted his glasses. “They really gouge you. No such thing as bereavement fare anymore, I guess.”

The woman checked on her child.

“So you think this is where I’m supposed to be?”

“If you haven’t checked in, then yes.”

“I dunno. Guess I’ll stay.” The passenger wiped his brow. “I haven’t flown in a long time. Since you were your daughter’s age I bet.”

The woman turned towards the man she was with and said something.

Hearing high-heeled steps behind him, the passenger slid his suitcase ahead. The passenger looked back to see a business woman digging through her bag. “I don’t know how you ever find anything in those things.” 

The business woman did not reply.

The couple’s child tossed her toy on the ground. The passenger started to gesture towards it, but the father had already bent down. “You’ve gotta hold onto your toys, Lena, okay hon? What’re we going to do if you lose it, huh? We’d all be so sad.” 

The child clutched her toy and shook it. The crackle was absorbed by the cavernous space.

***

Welcome! (to the place where control is proven illusory) Bienvenue! (to the place where rules are rules and enforced as such) Wilkomen! (to the place where no one wants to be for as long as they are) Witaj! (to the place where convenience is anything but) Yokoso! (to the place where humans are cargo) Καλώς ορίσατε! (to the place where time loses its timing)

***

What the business woman said: Hello? Hi, yes. Hello? Justin? I’m having--I’m having trouble hearing you. The reception’s terrible here. Where? St. Louis. St. Louis! Right, look. I know. I know I said I would. It’s been kind of hectic, sorry. They rescheduled the meeting at the last minute. Yeah. It’s with the underwriters, now. I think so. I should be home by 9:45 at the latest. Long layover at O’Hare. I need to drop some things off at the office. We’ll see. Maybe not. What? No, no. Don’t do that. That’s not necessary. I’ll figure something out. I said I’ll figure!... Don’t. I’m going to go. I said I’m going to go! to go! You, too. Bye.

What she felt: a vibration in her purse and a need to respond. 

Why she responded: it being so early, either something had already gone awry on the east coast or Justin was checking up on her again. He did that. He was right to worry. When she saw his name, she took the call. If she hadn’t, there would have been more texts, more calls, more desperate voicemails. There would have been a heated exchange as soon as she sat her bag down on the dining room table, a precious hour lost arguing from room to room, and pointed distancing atop their bed.

The best course was to answer him, sound weary, and keep it brief. Justin would be concerned for her. He would buy a bottle of wine to help her decompress. Merlot would be waiting in the fridge once she finally returned. They could split it while she unpacked. Answering now would grant her another few days of goodwill and ease them back into normalcy. Normalcy inoculated against suspicion.

Why she does anything: not for the money, though she requires it. Not for the title, though she has earned it. Not for the attention, though she’s regularly the object of it. Not out of misanthropy, though she does not care for people. Not out vindictiveness, though she does have a long memory.
 
She simply wants her will to be done. Like everyone else, she wants her way. She wants to hear “yes.” She wants to be obeyed. She wants to win. But unlike everyone else, Nicole makes it happen.

Examples of obedience: her chignon remaining intact in the urban wind; her clients accepting the contracts’ terms even when they’re less favorable than the competitions’; her husband accepting she is no less her own after the wedding; her doctor prescribing a class 2 narcotic after she insists the pain has not subsided; a salesperson overlooking exclusions after she asks nicely for the discount anyway; a bureaucrat backing down after she threatens legal action on tenuous grounds; the CFO acquiescing to her demands after she’s posed them as suggestions.

Why she is indomitable: because she can be. Because she has proven herself to be one of the givers of direction while most are the takers thereof. Because people, like things, need direction if they’re going to go anywhere. 

How she gives: not always directly or forcefully, though sometimes it is.  The giving need not be explicit or articulated, though it might be. It depends on the recipients. Takers disclose how they prefer to receive, and Nicole will earnestly listen. If she shows them that initial grace, makes that preliminary accommodation, if she cedes that little slice of authority to them from the start, she can seize the rest for herself. 

Being heard allows the takers to participate in the exchange. They will cooperate because they have been understood. Once you demonstrate you understand them, they will help you put them in their place. Everyone wants to be in their place, regardless of where it is.

She has been accused of being manipulative, usually by deluded men. It is not true. She does not manipulate anyone. Her hands are completely off. To prove it to them, she apologizes to the accusers. Face to face, she says she is sorry for the misunderstanding. When she says she means it, they believe she does. When they speak, Nicole listens with open posture and good eye-contact for their favored mode of subjugation. Usually, she invites them to lie down in their place more softly and gently than before. 

In their faces, she can see the delighted relief. “Thank you for asking. I think I will lie down.” She eases them into their resting place with a smile, each party getting what it deserves.

How she takes: with equanimity, if it is unavoidable. Everyone must take sometimes, but the givers can distinguish when those times are. If following orders and abiding by rules is prudent, Nicole acts with aplomb. She smiles and may eagerly nod her head. She utters phrases like, “will do,” “I agree,” or “good idea.” When it benefits her, she excels in pursuing another’s ends. Assistance engenders loyalty, which can be redeemed later. When it is beneath her, she delegates the task to a peer as an honor. She is generous in giving credit in low leverage situations because it reflects well upon her.

Conforming creates the socially valuable attribute of relatability. As needed, she can be a good neighbor and water plants when someone is vacationing or be a good friend and have a meal delivered to a sick colleague's house. Civil gestures or met expectations frequently yield a higher return on investment than combativeness in the long run. Not all games Nicole plays are zero sum. What counts is that she comes out ahead.

What she will say: Good morning, [reads nametag] Andrea. I like your pin. It’s cute. Oh, really? I’ll have to check into it. Anyway, I’m in a pinch and I was hoping you could help me. I’m headed to Reagan via Chicago, but something’s come up. I need to stop by Atlanta first. Is there any way you can reroute me? I see. And that can’t be waived? I see. Well, we have a problem then. My employer won’t cover the change fee. They’re very strict about allowable expenses and I don’t have time for pre-approval. No. I don’t have the money for that, either. Please. I have a lot riding on this, and if it falls through… Can’t you?... I see. Is there a manager around that may be able to straighten this out? Well, when does he or she start? That’s too late. How about this: how about I talk to my friend in our finance department and make sure we switch our preferred air carrier. Then, I’ll reach out to your company’s customer service division and notify them of the switch and cite our dispute this morning and the disrespect you showed me as the proximate cause and I’ll be sure to state your name, Ms. Holt, when explaining why a Fortune 500 company stopped flying Delta. Sure. I’ll wait.

***

A woman reaches into her purse. Connect me elsewhere by disconnecting me here. 

A man reaches into his pocket. Help me to see what is beyond my sight.

She bows her head. Aid my escape without letting me leave. 

He moves his hands. Blind me to my surroundings. 

She blinks. Free me from my mind. 

He sniffs. Think for me. 

She does not look. Talk to me. 

He does not listen. Shut me up.

They ask. I am a train; derail me.

They plead. I am a bullet; deflect me.

They beg. I am a river; divert me. 

An emotion arises in him. Disrupt me.

A fact occurs to her. Distract me.

He takes a step. Be my subject, object. 

She stares down. I am your object, subject.

He flicks his thumb. Take me away.

She twists her wrist. Take me back.

He bends his neck.  I’ll love you for it.

She steps forward. I already do.

***

Multiple times an hour, air travelers ask Allen how his day is going. They presume that because they can read Allen’s name on his government-issued ID they have an open invitation to engage him. Like he’s their concierge. Like he’s there to help them pass the time. He’s not. Allen isn’t there to be anyone’s 10-second friend. He is a public servant.

Do these passengers really think he can simultaneously chitchat and usher them through a federally mandated screening process governed by a constantly revised list of protocols and hundreds of unwritten policies into one of the ripest venues for terror upon verifying credentials at a rate the rest of the endless people in line would approve of--had they ever thought of approving anything that he or his fellow agents ever do? Why does it only cross their minds to be friendly with him when he’s at the scanner station but when he’s on cordon patrol or doing pat-downs, they can only avert their eyes or say things under breath as though he’s to blame for these rules and regulations? Allen can hear them. Allen has ears as well as a name.

Even if he were tasked with being friendly, do they think Allen could give them a forthright answer while concurrently performing the mission-critical tasks of his job? Can they appreciate how his sworn duty requires Attention To Detail and how the singular Detail is truly comprised of thousands of discrete particulars and six different categories in which to arrange them? Measly little eight point font particulars that can’t be overlooked even when you have a tension headache from the consequent eyestrain. A 1 instead of a 7, an l instead of an I, and an individual on the No Fly List passes the entry checkpoint does because Allen told a traveler how his wife has stopped kissing him goodbye in the mornings and now his mind is on his floundering marriage instead of the five relevant fields on Luca Bischoff’s boarding pass.

Of course the odds are slim any given person has forged a document, but small talk raises the odds Allen would overlook an inconsistency. On whose head would that fall? Allen has a conscience. He remains attentive because he knows what’s riding on his visual acuity. His agency’s mission, which he has sworn under oath to uphold, is to mitigate actual and potential security threats. Have his would-be chums fathomed just how many of these there are or how many everyday objects can become dangerous weapons in a criminal’s hands?

Most civilians have not felt the pressure of a job at once so repetitive and so crucial. Allen is charged with securing the homeland. Have they considered that? What does it matter to them if a jihadist gains access to a soft target, so long as he isn’t on their flight or headed to their destination? Are they liable for criminal prosecution if they allow a disassembled mass destruction device concealed by teflon tape through the X-ray machine? US Attorneys aren’t going to drop the charges because he was opening up to a flight attendant about how he’d really like a drink even though he hasn’t had one in 11 years.

Allen’s chief professional goal is to operate at the optimal point where speed and accuracy intersect. real life cyborg. His body needs to be machinelike. It needs to be indefatigable while executing all the repetitive motions of reaching for documentation, inspecting documentation, and returning documentation. His mind needs to be judicious. It needs to make true judgments about the reflectivity of a hologram on an Alaskan driver's license or what Dirkan Tankanian’s downcast eyes indicate. 

The public should attempt abiding by standard operating procedures when there are so many procedures and no overriding procedure for how to prioritize them all. The more drawn lines, the more openings the enemy can slip through. Allen stands guard in those gaps, but the ground is constantly shifting. Unexpected complications are always arising: new products, new forms of identification, new airline apps. 

And the travelling public makes matters so much worse. He used to tally how often they disobeyed posted directives in a day. Despite the plain English and pictograms, they’re incessantly trying to bring 20 ounces of water in their backpack or a bowie knife on their belt. It’s not Allen’s fault there are consequences for ignorance. His lawyer once told him we’re all culpable under the law, even if we don’t understand it.

The garnish atop this cocktail of stress is his workplace. Allen serves where all these travelers hate being. He’s stationed amidst the commotion, rush, and inconvenience. Inside this makeshift border that stinks of sweaty feet and resounds with plastic bins slamming together and luggage clanking down casters, the cacophony overlaid with a chorus of the same three imperatives barked a thousand times every hour, Allen checks, circles, underlines, and initials hundreds of bits of data. He verifies that “Aubrey Morrison” is spelled the same on her boarding pass as on her passport, that an iridescent eagle appears on the latter’s third page when held under a blacklight, and that her flight number matches her airline’s coding. He swabs dozens of hands and belt buckles a day, none of which have ever come back positive for anything other than glycerin-based hand lotion, looking for traces of explosives to react to the treated paper. But he can’t stop to shoot the breeze, can’t relax and blab about last night’s ballgame, can’t look the other way because a VIP is running late, because a nefarious pair of hands or terrorist’s belt buckle may trip the Explosive Trace Detector, someday. 

On that day, Allen is going to react by the book even though his adult son belongs in rehab but prefers to live on the street. Allen’s personal life and biography are not germane. He leaves these with his possessions in the staff locker room. He has to. For his country’s sake, Allen needs to be flawless.

***

“Name and destination.”

[pause]

“Thank you. Row one.”

[pause]

“Step forward.”

[pause]

“Name and destination.”

[pause]

“Thank you. Row Two.”

[pause]

“Step forward.”

[pause]

“Name and destination.”

[pause]

“Thank you. Row Three.”

[pause]

“Step forward.”

[Pause]

“Behind the line, please!”

***

The concourse in the early morning feels like a movie set before the day’s shoot. A few stranded passengers sleep contorted on benches designed to discourage being slept upon. Unstaffed kiosks guard their overpriced wares under locked plexiglas shields. The stores are empty except for the clerks. They wait like spiders out front of their stores, ready to pounce when a customer pricks their web. The bars’ HD screens cast ESPN News to vacant stools and shiny tabletops. Rows of liquor bottles darkly gleam on shelves. Talking heads address empty rows of seats. 

Everyone awaits the action.
Walking the gallery is like touring a failed amusement park. Your surroundings are scaled-down replicas of actual places. The spaces are designed to facsimile the world for you, giving you the sense you have already arrived. An 8’x12’ section of vinyl floor inside pretends to be an outdoor patio. The awning shades CFLs instead of UVL. A Best Buy store is condensed to an oversized vending machine. An ersatz food truck is fabricated out of sheetrock and molded plastic overlays. From certain angles, standing inside the potemkin Starbucks is like standing inside a real one. From most, it isn’t. 

This is Disney without the rides.

***

A middle-aged man seated at Gate A28 was en route to Winchester, England to present a paper entitled, “Imagining the Unthinkable: Neoplatonism and Proto-Nominalism in the Cloud of Unknowing.” He appeared to be studying, but he wasn’t. He eyed sentences without comprehension. He absently gnawed on his highlighter’s cap. He was telling himself it shouldn’t be this way, but who was he to say that?

He’s Timothy Eshenbrenner, PhD. Tim. From Missoula. In Montana. The largest state in the contiguous US no one cares about, hah. A professor. English and literature. Early medieval Europe, but he doesn’t want to bore you. Really? Who’re some of your favorite authors? Oh, uh. No, he hasn’t read any David Baldacci, but he’s seen his name in bookstores. Very prolific. Yeah, it’s fairly interesting, he guesses. The students keep him young. The summers are great. Hey, would you like to get a cup of coffee sometime and discuss... Ah, sure. Yeah. He should’ve noticed.

That’s who he was when he spied a young woman in a dark suit lick her finger and turn the page in a binder. Is she a lawyer on her way to argue a case? Is she a junior partner on her way to make a pitch? Would she love me? Would she have my child? He pondered these hypotheticals until he tired of them. Then he returned to his book and his determination life was uniquely unfair to him.

Everyone Tim knew was happier than he was. Not everyone could possibly be more deserving. Tim was a decent guy. He considered himself a good listener. He had plenty to say. He was conversant in three languages, two of which are still spoken. He was interesting. He was in good shape for 47. Yet he was alone.

Sure, he had his faults, but so did everyone. Take the people with whom he worked. Professors were the self-absorbed types who neglect to ask how you’ve been even when, from the looks of your matted hair and wrinkled apparel, you’ve not been well. His peers were the sort of petty people who spend the entirety of two-hour-long department meetings listening for an opening to snipe and who scan the hallway before leaning in to whisper in his doorway. They’ve earned happiness? Davis in comparative religion has a doting wife, and he couldn’t care less about her.

Injustice is one reason why Tim was a radical agnostic. Traditional agnostics claim ignorance as to whether God exists. Tim’s ambivalence was more profound. He knew God exists, and he knew God does not exist. Tim knew God exists because only an essentially living Being could create life and ultimately make life fair and knew God does not exist because life is not fair and cannot be made fair. The more Tim craved justice and needed God to guarantee it, the more he hated God for failing to make it happen and, thus, for not existing. In effect, Tim cursed God for not being God.

Tim did not shy away from inconsistency. Contradiction was unavoidable. Like everything humanly relevant, he’s complicated. He’s a reluctant pessimist, a half-hearted romantic, a double-minded fatalist. Not a year went by without Tim endeavoring to be more positive, open, and engaged. He has tried to look on the bright side and to be more patient. He has read about mindfulness and practiced the art of intentional breathing. He has taken up running and cut his sugar consumption. But the fledgling strategies have failed him like so many fad diets. What actually sticks are the truths that render him even more of a tragic figure. He cannot help himself.

He hated the complications, too. Tim freely admitted he harbors a lot of hate. The longer he lived, the more hateful he grew. Want to know why? Here’s a start: being indebted to obscenely well-endowed institutions isn’t right; being single and, therefore, conspicuous whenever you venture into the coupled world isn’t right; being rejected by an academic journal for reasons that betray a bald misunderstanding of your subfield isn't right; being condemned to celibacy when you crave intimacy and your body is still capable of it isn’t right; learning who you really are and what you really desire once it’s too late to do anything about it isn’t right; being diagnosed with MS at 27 and ever since living in constant fear your limbs will stop functioning reliably isn’t right; and, paradoxically, having mental lists of what isn’t right isn’t right.

What made this all worse was that he was blameworthy and blameless for his quagmire. Tim was at fault to the extent he has acquiesced to the universe’s blind machinations, and he was faultless to the extent he wasn’t the Prime Mover and hadn’t been involved in any cosmological planning. Tell him which is guiltier: the apple or gravity, the ball or the cue, the bullet or the gun?

Or what about this boy: how responsible was he? A few years ago, when he was grading papers in a park, Tim looked up and saw a blindfolded boy be spun around, handed a pole, and shoved. His friends and family were all shouting where to go and when to swing. The boy stumbled forward and tentatively swiped the air. Once his balance returned, he kept going straight, flailing, and picking up speed. A couple kids dove out of the way as the boy made a beeline, practically running and swatting now like he was out for blood. His father had to restrain him before he assaulted a jogger. Tim would have done the same–had the Eshenbrenners celebrated birthdays. He would have forged straight ahead. That’s what he was made to do.

He never corrected course because he was taught not to question his lot. “All things work together for good to them that love God,” Tim’s mother insisted. “Do as you’re told by your earthly masters,” his father instructed. Tim obeyed, listening to outer voices rather than inner. He did his chores, his homework, his job: all as he was told. He saw things through, things like living the Life of the Mind when his public school teachers started referring to him as gifted and his professors insisted he should become one of them.

The biggest difference between then and now is how he conceived of his station. He lost faith in universal beneficence and a lovable fate, but it did not slow him down. He maintained inertia. He squandered decades living monkishly, cloistered in an efficiency apartment literally walled off from the wider world by piles of books. He clawed his way to the top of the academic mountain. He was published. He was tenured. He was a distinguished chair named after a dead man whose name means nothing to anyone save those in accounting services who deposit the trust’s annual checks. What has he gained? Extremely limited notoriety, disc degeneration, and unspeakable regret.

Call him stubborn. Label him “passive” and “cowardly.” Tim concurred. He has made it this far being a stubborn, passive, cowardly projectile. He kept on the path before him until his eyes were so strained he couldn’t read anymore or his hands were so cramped he couldn’t write anymore or his mind was so fatigued he couldn’t think anymore. Only then did his deepest longings consciously register and his spite rise up. Like his pining for Allison Zaleski, the girl who made him feel seen and known and understood for once in his life, the same one he didn’t pursue because he was mired in a dead-end relationship with Vanessa Madesen, the girl that ended what she started a year and a half later and six months after Allison had moved away to pursue her own dreams. He wanted to go back then and do otherwise. But that wasn’t an option. 

In the seating area, he was convinced he wasn’t going to get another chance. He only received reminders of the forks in the road that carried him away from the path he would have chosen. He gazed at the embodied reminder nearby with his worsening vision. As she brushed her hair behind her ear, Tim spotted a diamond glint in the artificial light. Of course she has a ring on her finger. All the objects of his attraction either had rings on their fingers or wouldn’t open their hands to let him slide his own on theirs. It’s not right.

“Sorry! This thing has a mind of its own.”

Tim looked up at a middle-aged woman settling herself in a chair across from him. Her suitcase had grazed his foot. “That’s okay.” Tim looked down again.

“What’re you reading?” she asked while corralling her possessions.

Tim flipped the book over and addressed the cover. “The Book of the City of Ladies. It’s for a class I’m teaching this fall.”

“Oh really? Interesting. What do you teach?”

“I’m a professor. English and literature.”

“Oh? I loved literature in college.”

“Yeah.” He opened the book again. “I thought I did, too.” 

***

A green polo, pressed golf pants, shined loafers worn sockless, and a Bluetooth headset. A white tank top, black yoga pants, red flip flops, and ear buds. A black tank top, black yoga pants, pink flip flops, and ear buds. A Big Dog T-shirt, relaxed fit jeans, and sneakers purchased in 2009. A chambray tunic, pilled leggings, New Balance walking shoes, and a FitBit. A silk Hermes blouse, capris, and black D&G flats. An oxford with rolled sleeves, no tie, black khakis, and black running shoes. A worsted wool suit, a navy and white striped oxford, and Cole Haan cap toe shoes. A Disney T-shirt, Nike basketball shorts, and Adidas pool sandals. A red polo, navy shorts, and tall, white socks with matching tennis shoes. An untucked Hawaiian shirt, black soccer shorts, black compression hose, and black Crocs clogs. A zipped hooded sweatshirt, jeans with rolled cuffs, and black and white athletic shoes. Short-sleeve periwinkle oxford, a red and navy crossover tie, navy sweater vest, navy slacks, and Nine West kitten heel shoes. An unzipped fleece jacket, turquoise leggings, and blue and pink athletic shoes. A slate gray golf shirt, plaid cargo shorts, and black penny loafers worn sockless, and a Casio watch. A glen check blue sports coat, starched oxford, tan suit pants, and Gucci monk strap shoes.

***

6:29A: 26 minutes to boarding. An hour and six minutes to takeoff. Five hours and 37 minutes to landing. Approximately seven hours until they’re on the streets of Boston, their honeymoon officially underway! Paul Revere, Bunker Hill, and the Common. A stroll along streets flanked by Second Empire row houses. Another twelve or fourteen hours until the hotel. Reservation for Mr. and Mrs. Langely. A room with a view. And a king bed. Room service in the morning. Then a drive to Cape Cod. A ride through the windy Route 6A. Hyannis, lobster bisque, and the beach. Next, a queen bed. Alyssa squeezes Conor’s hand. She can hardly wait--for this day and for the rest of them.

6:31A: 24 minutes to boarding. An hour and four minutes to takeoff. Approximately six and a half hours until she’s back in her condo, her ordinary life resuming. She has laundry to put out. Maria will be by tomorrow. The rooms will be quiet save for the grandfather clock’s resounding chimes and slippers’ heels clicking on the marble tile. She has a tour to lead at MFA next Tuesday. 3 in 30. O’Keefe, Gaugin, and Renoir. She has an appointment with Arnold about the endowment next Friday. She has a Patek Phillipe watch on the dresser that hasn’t been wound in years. Everything else of her husband’s was boxed, bequeathed, or auctioned. That timepiece remains still, its golden moon forever waxing gibbous.

6:33A: 22 minutes to boarding. An hour and two minutes to takeoff. 14 hours and 13 minutes from when they were supposed to be in Salt Lake City. Three hours and three minutes removed from an alarm that rang in a hotel they had no intention of booking in a city that had no intention of visiting. They paid for two hotel rooms last night, one more than a thousand miles from the other. One outside Capitol Reef with its martian beauty, the other outside a Huddle House with its earthy squalor. Ethan’s chin is stubbly. Sarah’s bangs are wavy with grease. They’re supposed to be eating a big breakfast to fuel their hike to Hackman Bridge arch. Instead, they’re splitting a Nature’s Valley bar they’d bought for the trails. All because of a freak tornado in a city that wasn’t on their flight itinerary.

6:35A: 20 minutes to boarding. An hour to takeoff. Thirty-four days and 50 minutes until seventh grade. Lockers and home room and six minute passing periods. Two minute warning bells. Chess club and drama club and young writers circle. Homework, pop quizzes, and rumors. First, this trip. Right now, Instagram. She likes everything she sees: pretty outfits, amazing sunsets, hot celebs. She puts down her phone and picks up her book. She puts down her book and picks up her phone. I’ll be back.” Where’re you going?” Not far. I just want to film something real quick. “Okay, but five minutes. You hear me? We’re boarding soon.” The girl stands up, walks to the center of the terminal and starts to record. She narrates, her voice full of suspense. She’s telling the story of a girl going on family vacation that will go terribly wrong. There’s going to be a storm, and the family’s going to land in another dimension. She’s going to be the first to discover the truth. She will be the one to save them.

6:37A: 18 minutes to boarding. 58 minutes to takeoff. Six hours and 23 minutes until the funeral service gets underway. Eight or so hours until the hor d'oeuvres and forced conversation with barely recognizable relatives. His nieces have crow’s feet above their thinning lips. His brother-in-law’s mustache has grayed below his red eyes. The artichoke dip is good. Still with her, yeah. Coming up on 40 years. He was, uh, forced to retire last January. Two days until he can drive a rental to the beach again, ease his way down the steep dunes, and hear the sand’s whistle underfoot. He will forget everything voluntarily, staring into Lake Michigan’s familiar face. Two to four years before he forgets most everything involuntarily. The dogs’ names, sitcoms’ plotlines, the first paragraph by the time he’s on the third, whether or not he left something in the oven. Maybe another eight to ten years before he goes in the ground, too. His life didn’t go as planned, but what does?

***

An electric motor’s hum rises and falls rhythmically. Up, left. Down, right. Up, left. Down, right. In the buffer’s wake: high gloss. Feel it in your wrists: the pad’s slight bite. Too much, and it careens into a wall, marring another formerly clean surface. Too little, and it hovers in place, burnishing orbits of abrasive into the wax.

Waltz with her. She is a lithe partner. Back and forth. Back and forth. Side to side. Side to side. Together, you erase the frantic’s harried scuffs and the bored’s plodding scrapes. You apply the wisdom of waxing: shine though wear. Reveal reflectivity with patience and persistence. Rub harder, more determinately, more dependably than the hopscotching sojourner’s footwear. Back and forth. Side to side. Subtracting from the barrier rather than adding to it. 

Take heart and keep pace. More drips will drop. More sodas will spill. More heels will harm. And we will return, my date and I, to polish what has been sullied. We are agents of renewal. We are revivalists. Don’t discount us. We are not doomed to repeat our steps endlessly. We are invited to dance so long as there’s dirt.

***

No one was waiting for Shana at the end of the gangway. No one is allowed to do that anymore. Her reunion will be curbside, where her father has been circling since 7:30A. Her mother was supposed to meet Shana, but she dispatched Shana’s father instead. Cancelling when it counts is classic Mom.

The flooring resonated with her strides’ hollow thud. A man raced past her with a leather satchel slamming against his back. The corridor was lined with posters of smiling people and slogans. She listed to compensate for her carry-on’s heft. The slight physical discomfort augmented the general discomfort surrounding her flight. The whole trip felt cursed, maybe because she was raiding her own tomb.

She had returned to clean house. Her parents’, specifically. The foreclosure sale was next Thursday. She had four days to sift through all her childhood belongings in their basement: the bins of Troll dolls she had coveted and the Happy Meal toys from dinners with dad, the stack of board games the family never played and the Hot Wheels she never got into. She had four days to wad up the middle school clothing her mom had picked for her and make them go away like she wanted the memories of those days to. She had four days to rummage through a closetful of high school fashion, her largely unsuccessful attempts at signaling to classmates she was one of them, and spare a couple that might earn social approval now. Her assignment was to shove the brunt of her abandoned possessions into big black plastic bags and drag them to the curb. The evidence of Shana’s former selves was slated to be scattered and interred in an exurban landfill. She mourned for them.

She imagined her parents’ house as she passed the gate’s half empty seating area and the travelers with priority seating starting to assemble. Her former bedroom will be preserved under thick layer of consumerist sediment. The forsaken purchases had been strewn everywhere else around the house until, eventually, her mother broke the seals on Shana’s door. Surface areas will be buried beneath: a plush floral comforter with matching bedskirt, a once-used electric griddle, an unopened air purifier, stacks of trade paperbacks, sundry orthotic braces and splints, an immersion blender, piles of clothes that no longer fit her mother, and piles of clothes that will fit again someday. 

This was where Shana came from. Disarray was her heritage.

But first, outside, she’ll hug her dad who doesn’t realize his dire need of deodorant. She’ll sling her bag on the backseat, crinkling strewn newspapers. She’ll stare at the crevices around the floor mat, where bits of french fries and cracker fragments have settled. He’ll do the talking. Her mother and him have had it pretty rough, lately. The dishwasher and the fridge crapped out within a week of each other. He’ll bemoan his finances and talk about how it could have been. 

Driving through their subdivision, she won’t sense anything is amiss. The aging homes are being updated: new siding, new roofs, new landscaping. Turning into her parents’ driveway, the first inklings of decay will greet her. The red maple is fully leafed, but the lawn underneath is sparse. The porch’s white railing is clean enough, but the empty flag holder is held up by zip ties. The yews flanking the garage are six feet tall, but the midsection is bare with dead twigs visible. The imperfections present like early warning signs. These are symptoms. When she opens the door from the garage into the kitchen, though: shambles. Complete and utter shambles.

The clank of the quarantined dogs’ nails against the sliding glass door will be the first sound she hears. Half-packed boxes will occupy the counter and kitchen table. Her mother’s absence will be felt at first, the master bedroom being closed as usual. 

It will take less than an hour for Shana to regret coming home. That the VCR, broken turntable, and Dreamcast that hasn’t been turned on in 15 years but are still plugged in will get her down. How her bedside table holds a stack of nostalgia-inducing photos from when film was a thing will creep her out. That her shed blonde hair and mementos from senior year trysts can still be found a decade later on her old mattress will crush her. The dumbest stuff persists. 

It will take less than a day for Shana and her mom to pick up where they left off, fighting the same fight. Her mom will complain of her loveless marriage and what the world’s coming to. Shana will lose her patience immediately after summoning it. Reprising a former role, Shana will raise her voice and slam her door. Trapped within her former bunker, she’ll wish she had left something in the bottles she had lifted from her dad’s dusty collection and hid under her bed.

It’s so heavy. Like her carry-on. Like her footsteps. Like the duffle bags veering down the baggage carousel’s chute. Like her mom’s hypochondria and debilitating depression. Like her dad’s outlook on life and staggering defeatism. Everything about her family is fraught with resonance that reverberates into her chest even though she lives a one-stop flight away and only checks in on Christmas and birthdays.

The gravity of the situation is multiplied by how tightly bound her identity is to this city and these two people, her parents. Try as she might to dissociate, as adult and functional as she is, this is all still very much her and somehow is the key to understanding Shana. To know her, you have to tour her parents’ cluttered kitchen and read the decontextualized Bible quotes taped on the cabinets. To get her, you have to roam her parents’ halls and smell the Lysol masking the scent of animal piss. 

It’s all laden with relevance. How her mom interprets certain good news as a kind of bad news, even though she has been preoccupied by the outcome for weeks and fretted about something being horribly wrong with her, and will seek out second and sometimes third opinions to dispel the good news for the sake of having something physical, measurable, nameable, and, therefore, medically treatable wrong with her instead of the opposite is Shana’s own yearning after dark certainty alternatively manifested. How her dad, who knew his town so well after years of driving its streets working for the municipal government, now gets very anxious and unsure of himself going anywhere he hasn’t been before, even if it’s three blocks away, and how the map in his head has faded, and he’s scared to leave his neighborhood, reflects back her own lostness. 

Her whole life, even before Shana was on her own, has been a struggle to convince herself that she’s other than this, other than them. Above it all. In a lot of obvious ways, she is. But the nausea she feels returning stems from how exactly the same she is–despite appearances. She’s the same appetitive child and unsure adolescent. She’s her solipsistic mother who considers herself giving. She’s her pessimistic father who blames fate for his foundering.

Despite all her accomplishments, the fact she Got Out and Made It, this is still absolutely who she is. She’s defined by the superficial clashing with the subcutaneous. Like her parents’ house, she looks mostly fine, but she isn’t. Like the air she breathed, she’s masking filth.

Trudging up the staircase to the passenger pick-up area, the air feels lighter though. She spots the rusting Escort, her father, and his ever-graying, ever-thinning hair. He’s parked too far out and is blocking traffic. A hotel shuttle lays on its horn, but he’s already rounding the trunk. He opens a creaky backdoor and hastily tosses aside copies of the Post Dispatch. He looks at her with cloudy blue eyes that haven’t changed since when, held in his arms, she used to push his glasses up the bridge of his nose. It’s clear he’s happy to see her. He says he’s sorry for the mess. 

Shana says it’s okay. She’s no better.

***

People separate, and people reunite. People point and hail, rise and board. Some head to highrise hotels, over rivers and past civic monuments, to immerse in the unfamiliar. Some head to distant addresses, over potholes and passed derelict properties, to take refuge in obscurity. Taken together, we are not so different. Wanderlust and homesickness share an etiology.

Prefiguring the mode of transportation, we are up in the air here. Displacement is the stated goal. Though our identities are meticulously verified, we anonymously progress through this waystation’s stages. Its attributes are our own: transience, impermanence, liminality. Our blemishes are on display, having stowed away civility’s mask. Excited, exhausted, or exasperated, we are waiting for somewhere to reside.

Tuesday, January 26, 2016

Waiting



The western sky is a pool of orange sherbet. The setting sun lingers above the horizon. Rita Fuller hunches in her wheelchair, trembling slightly from neurological rather than environmental conditions. She has dragged herself, one faltering heel at a time, to the circle drive by the main entrance. She stops just shy of the curb. She's drawn moth-like to the light. Through thick lenses, her eyes are directed to the tops of pines at the edge of Evergreen Grove's property. Each verdant cone intermittently sways in the breeze as though entranced. A mosquito hums near her ear, but she does not bat it away. She is not concerned. She is totally withdrawn, testudinal in her seclusion. She is a perceptual repository. She is aware of the perspiration seeping from her pores, but she has no desire to blot at it. Her bladder sends a dull signal, but she will not tend to it. Mrs. Fuller only wants to be left alone to stare into the offing and replay her life's fragile reels on the broken projector of her memory.
                Of katydids and sweltering summer evenings. Of the milkman in all-white, spotted with translucent patches of sweat, bringing gallons of ice cream to their porch. Of her two brothers and two sisters gathering around with spoons in hand and herself, the eldest, with a tub condensating in her lap. The container making a darkened ring on her long skirt, her thighs burning with the intense cold. Spoons clanking against each other, protestations of unfairness. Creamy drops landing on shorts or shins, dispersing into cloth or slipping along downy-haired legs, drying in crusty amoebas or sticky trails. Giggles mingling with grunts and shoves. Rita the mediator. One at a time. Take turns. There's enough for everyone. All the children gorging but her who held the tub with numbing fingers. Rita doesn't mind. She is the helper. Her father silently overseeing the treat’s  apportionment from his rocker behind them, stripped down to his undershirt. His bangs wilted in clumps across his forehead, a hand never quite clean brushing them back. He whose chin stubble tugs at her locks during goodnight kisses. He whose strength seems boundless.
                Mrs. Fuller's fingers tingle now but without applied chill. Her hands look crudely drawn. The digits deviate at the knuckles, each failing to align. Her thumbs stick out, contorted. When they aren't tingling, they're throbbing. She has learned to ignore the pain, to let the nerves fire in vain. Like so many matters of the body, the will is impotent.
                Her manual dexterity scores have diminished since she was moved to the Grove eight years ago. She's tired of the tests and the nurses who administer them. She is weary of the staff's ceaseless commands. It's not as though she doesn't know how. Her fingers simply don't obey sometimes. She tells them to squeeze the same way she always has, but they must be hard of hearing like their commander is.
                Three years ago, Mrs. Fuller ceased replying to letters or expressing thanks for cards. Longhand is too demanding with its swirls and loops. Even dialing the phone is a challenge. Its buttons seemed to have shrunken. Then there's the problem of contact information contained in her outdated address book. She ceased blotting the deceased's numbers in black because it obscured the pages behind. Which is just as well. No one expects her to respond or do much of anything else besides cooperate. She scrawls on claims or waivers as needed. She scribbles on the sporadic release when Deborah can't be reached soon enough. The motions are familiar but the outcome is not. She can't read her marks even though her vision is fair. The script is torturous; the lines are faint and squiggly.

***

                A chickadee hops among the landscaping, pausing to eat bits of unseen food. Mrs. Fuller senses the bird out of the corner of her eye. Even its diminutive shadow is lengthy. She watches it forage, the feathered creature, the winged thing, the flying animal. Millie Granderson owned one, but it was blue and white. A terrible pet, always getting loose and chomping on picture frames. Perching on bookshelves in the den, evading capture and taunting with piercing notes from an elevated throne. He would bite your ear and mess on your shoulder. Equal parts eating and messing. Chirping incessantly, all throughout the day like a busted alarm. In the wild, though, how nice. We are happier apart. We are apart. Apart. Mrs. Fuller flits away before the bird does.
                The sun is nearly finished with Springfield. The waning light puts Mrs. Fuller's countenance in stark relief. Her skin has an etched quality as though she were one of Durer's prints. Around her thin lips is a sunburst of creases. Along these peaks and troughs are hundreds of faint hairs. The topography undergoes seismic shifts every few minutes. During the most powerful tremors, half her face snaps taught instantaneously, a flashed and incomplete smile. Others, more aftershock than quake, involve a brief pursing of the lips or partial wink. Glasses pivot on the fulcrum of her nose. The frames’ left arm is wrapped with medical tape. What originally read FULLER in permanent ink has bled beyond all recognition. Above these, her stiff hair resists tussling. It is caked with spray. The gray waves are ruins, structures once tubular but since collapsed. Her hairline is scaly. Her scalp is the same pallid pink of her gums. On her temple above her right eye is a thick scab she picks at each time she rediscovers it. The scab is black and roughly textured from provocation. Rita had struck a table's edge trying to pick up the fork she dropped before she could stab her boiled carrots. The world melted, and she toppled like a spruce at… at… at… at wintertime.
               
***

                Mrs. Fuller waits, but she waits for no one. She believes she receives no visitors; she complains she entertains no guests. Few are left to come calling. Both of her brothers and Edith died decades ago. Her youngest sister, Faye, moved elsewhere without leaving a forwarding address in the 1970s. Nieces, nephews, and cousins are scattered across the nation with lives of their own. Nurses and neighbors do darken her door daily, though these strangers count not to Rita.
                Deborah drops by every other week to debrief with a supervisor and bring Mom her Milano cookies, but she can't bear to stay for long. The journey to Room 138 is reminiscent of a scene from The Inferno. Fetid air fills the corridor's length. Huddled, moaning lumps of people are strewn about the hallway, moored where they were discarded. The cruel juxtaposition of smiley face stickers and mylar balloons against badly-stained carpet tile and oppressively loud televisions is too much to take. Mrs. Fuller's room is no oasis. The space feels cheap even though it is anything but. The furniture is hospital-grade, of a color chosen for its neutrality and a material chosen for its impermeability. Plastic wraps the bed beneath the sheets. Galvanized handles rated to hold four hundred pounds in the bathroom help hoist Mrs. Fuller's scant ninety-one. Red call buttons protrude on every wall; a pullable cord dangles by the toilet. Despite the sepia pictures and framed needlepoint, the atmosphere is transient. Residents' names are slid in and out of plaques like so many bank tellers.
                Every time Deborah enters, Mrs. Fuller is awake and in her chair. She’s rolled over by the window, gazing into the courtyard and the parking lot on the other side. Their interactions play out predictably. Deborah knocks on the door frame, crosses the threshold, says hello, and embraces her mom at an awkward angle. Her mom inertly accepts. On the rare occasions Mrs. Fuller lights up at Deborah's entrance, it indicates the happiness of being surprised—not of being surprised by her daughter. Their conversations tend to be imbalanced. On bad days, Mrs. Fuller responds with flat monosyllables. When she musters more, she trails off mid-sentence as though her teleprompter blanked. After ten minutes, Deborah leaves the bag of cookies on the laminate dresser and says she must be going now. Deborah writes notes on her mom's wall calendar chronicling past and future visits, but Rita doesn't know who wrote them or what day it is. Every time Rita sees the calendar, she thinks it’s wrong. It can't be 2015.
                Mrs. Fuller waits for a breeze, for a bug, for a cloud. She waits for a cue, a suggestive association. Rita waits for Harold, who has been dead for seventeen years, but who'll be returning any moment from the hardware store with a new knob to replace the one in the den that won't catch. What time did he leave? It couldn't have been more than an hour ago. And yet, it feels much longer. It feels like years. Then again, it feels like no time at all because she can recall his voice with a clarity not possible in archaic recordings. The feed is live. The speech is present as much as a passing car's engine. She can almost smell him. He’s borne in certain aromas. Harold resides in the fresh mulch he would spread around their sugar maples and atop their bed of jonquils—earthy, a soiled tang. Neither pleasant nor unpleasant, but real. He's in the wind, felt but not held. He can't grasp or be grasped, but he is here with her so long as she is here with herself. He consists of materials impervious to aging, not from solidity but friability, from being carried aloft like a word or the rhythm of his footsteps. This is the compromise with death. You can stay but not the same. You can be but as forgettable.

***

                Her body brings her back to the sidewalk. Rita's joints ache. How long has she been rooted to this spot? She finds her wrist bony and skin pebbled. How can that be? That is not her arm and yet it is. She grips and twists like a throttle where the watch ought to be. Mrs. Fuller doesn't currently know that she doesn’t wear watches anymore. Although she has acquired many timepieces over the years, she isn't afforded the luxury. They are all dead and buried in a bank whose steps she could not ascend. Her other valuables are stored there as well. The malachite brooch from her trip to Israel, the pearl necklace from Harold’s tour in Japan, Grandma Esther’s ruby hairpin, her parents’ gilded graduation gift: they all lie in a metal container, unworn and cold. The contents were slid into a wall of identical containers and locked with a key of which she has not a copy for their safe keeping. Because such items will soon be part of her estate. Because Evergreen Grove is a nice place but you never know about the staff. Because who's to say if she misplaced her wedding ring or if it was slid off of her relenting finger by a bad apple? Deborah would not allow that to happen, so Mrs. Fuller sits and rubs her bare wrist with her naked hand.
                The nakedness of her ring finger alarms her next. Her eyebrows raise. A siren sounds for the item lost to her but not to her executrix. Oh Lord. She looks in her lap and finds only a carrot-colored stain on her otherwise yellow slacks. She pulls on the rumpled fabric of her blouse, hoping to make the object tumble. The polyester blend stretches and springs back. She lifts and shakes the hem, yearning to feel the tug of two gold ounces and half carat diamond rolling free of their hiding place. But nothing new tugs at her. Oh Lord. She brushes her chest. She shifts and cranes her neck over one side of the wheelchair. Sparkleless pavement. And the other. Sparkleless pavement. Her old heart races.
                She bends to look down at her feet. Whose shoes are those, nude and velcroed, a perforated crescent over the toes? Who would ever wear such ugly things? And yet, when she thinks of twitching a foot, the shoe twitches. Oh no. A clump of brown fuzz clings to one of the straps. Mrs. Fuller reaches down to pick it loose, but meets with resistance. Her back aches and refuses to bend as far as she needs to pick at the ball. The swell of panic elevates this task into urgency. She tries to lift that shoe towards her outstretched hand but meets with resistance in another location. She can feel it creak, feel the sound's texture from within, the quick succession of snags and releases, the vibration of friction and a little sharp pain. Defeated, Rita leans back. Her head is awash in liquid, but she's not wet. She's submerged, but there's no water. Her hearing is muffled like there's batting in her ears. She closes her eyes. Not to stop seeing, but to stop being here. To stop feeling vertiginous. But her head continues sloshing. Please stop. Oh...
                Her inability to reach her foot, to be thwarted by a task so simple, and the liquefaction of earth flushes her face. Pins of dismay prick her body. She shudders and begins to sob. Sobbing gives way to wailing, and she starts to totter. The cries reverberate off of the east wing, and the chickadee takes flight. The tingle in Mrs. Fuller's abdomen subsides. Warmth blooms and spreads beneath her. All the while, she is aware. It occurs to Rita that everything is miserable. She circles around and around this fixed point of helplessness. Who is she now? How did she get here? The deep creek bed of wrinkles on her cheeks channels the tears to her slack jowls. In quieter moments, they wobble with palsy. Now, they are flushed and heaving. If she was seen, she'd look pathetic. She is not seen or so much as wondered about. This is her private suffering. The remnants of last night's sleep moisten in the corners of her eyes and become doughy. If she could see herself, there would be no recognition. She is a constant alien, a wanderer in what passes as her home.
               
***

                Mrs. Fuller intuits her incompleteness. She's never far from her boundaries. Huge swaths of inquiry are forbidden to her, yet she can approach their borders. She does so frequently. Her mind naturally meanders within the yawning chasms between meals, between naps, between pills. She retraces events, relives times, and abruptly tumbles into ignorance. It's as though she plunges into a hole. She begins along a path, foresees the shimmering end on the frontier, but is subsumed by a void along the way. The abyss is unlike unconsciousness, though. It is not experienced like slumber’s ease. While your recollection fails you, your will does not and neither does your shortest of short-term memory. For in the empty place, you remember you entered it with a purpose. You recognize that it was once full. You long to pack in its truth again. You cannot. Adrift in the abyss of forgetfulness, Rita is deprived of herself. She is a person aware of her location but blind to the landmarks. She is lost and knows it.
                Dark matter would be comprehensible to Mrs. Fuller if she had ever heard of it. She could understand the hypothesis that that which is not is the heaviest stuff. It is like nothing but not. Nothing is borderless. These cavities inside Mrs. Fuller are circumscribed. She can walk around them, survey the abutting landscape. These holes are the places where her darkness dwells. A doctor, the soft-spoken one with the nice office, Dr. B— or Dr. V—, explained that her brain was becoming porous. He spoke of her brain and not her. He circled lesions on the backlit MRI with his pen's tip. Mrs. Fuller did not grasp the terminology, but she gathered the upshot from his tone. She agreed. That's how she felt. She felt like a piece of pumice. She contains many holes. The negative space nearly outweighs the positive.
                These moments of disorientation—hundreds per day—are observable in her broadly attentive visage and eyes fixed on nothing more concrete than the distance. When she looks, Deborah can see the agony magnified behind her mother’s glassy eyes. The pain of loss concentrates Mrs. Fuller's mind to pierce through the haze, the clips of sounds, monosyllables, the incomplete sketch of a face or fact. She retracts all attention from her limbs and torso and retreats to her mind's cracked throne, peering and straining to regain bearings. She holds this defiant posture until bereavement makes her slacken. In these moments, she is alive enough to know that death is eroding her, that there are burgeoning caverns in her core, that she is a shell being siphoned of its substance.
                But then, as shoulders droop and Mrs. Fuller crumbles, the foe becomes friend. The remembrance of forgetfulness dissolves like film exposed to heat. She finds herself advanced beyond crisis by the sometimes maniacal, sometimes merciful progression of time. She rediscovers the fact that arrivals and departures are a matter of perspective, destinations are interchangeable when scrubbed of the past. She resets.
                The lives of octogenarians afford ample opportunities to learn by experience. In her years, Mrs. Fuller has been taught what to fear: the death, not the dying. The dying will happen one way or another. Dying is matter of fact. She has long known this, has seen this seven times. She watched her father abruptly expire. He was mowing the lawn, laboring up the sycamore-lined hill. He wore striped shorts and his old loafers, the tan ones tinged grass-green. How he would sweat! The scene was comical from her window's vantage. She thought he tripped. The reel mower shot out in front of him and he crumpled. The handle hit the ground after he did. Nothing else changed. The clothes still flapped on the line. Dogs kept barking. Her father laid motionless like a cartoon character who'd been bonked on the head. Silly daddy. Rita told her mother about his spill, laughing. Her mother did not laugh. She ran. She died next, some years later. Gigi and Edith, too. A car accident and a stroke. No one knew about the hole in Donald’s heart until his lips were blue for a week. He was nineteen. Cancer took its time with Edwin, worked him over like a boxer, drug it out, savored the victory. The heart monitor keeping time, counting down. That’s the way it goes, fast or slow.
                Mrs. Fuller will go when her maker calls, and she has faith she will live on. But she won’t leave this earth a moment before. Life’s a gift she’s in no hurry to return. That’d be ungrateful. That would be ceding victory to the sickness. She does not know the day of the week or what she ate for lunch, but she knows this: that sickness feeds on fear. She has watched it feed on others when given the chance; she has felt it gnaw within her. She will not allow it to be further sated. Death wants you to think it is the end, to give up or run. But it is not. This conviction is her compass by which she marches on.

***

                Under her slacks, on shins and thighs frosted with xerosis, are splotches of eggplant purple. They are the marks left by Webster's Large Print Edition. Rita had extracted it from Evergreen Grove's modest library shelf in the hopes of filling in one of the countless tip-of-the-tongue blanks that taunt her. She wanted to label her experience and place herself again in the comfort of states named. But a dictionary is a cumbersome tool in the hands of an ignorant laborer. It is the flattened haystack, every page full of wrong needles. After flipping through the Cs and Ss, the word kept floating, aloft in an updraft of frustration. Mrs. Fuller was reminded that objects require no name to make themselves known. The force of gravity and fumbling fingers seeking to replace the infernal thing from whence it came suffices.
                Skin was not broken; blood vessels and spirit were. She cried then as now. When Deborah inquired of the ghastly bruises, of which there have been many, Rita could offer no explanation. When asked if the wounds hurt, she pushed them like fleshy buttons and confirmed. When asked about the workers, if they did that to her, if they've been rough with her in any way, Rita wasn’t sure. When asked Mom, please try to keep track of your injuries, write them down—as soon as they happen—because it's serious and we can move you if need be, Rita screamed her hands are no damned good anymore. She raised the arthritic things in front of her reddened face and pleaded through viscous saliva to be left the Hell alone.
                She slumped and sobbed and when Deborah rose to leave, herself in tears, Rita asked where she was going. Deborah didn't explain. She retreated from the threshold and went to her mother, embraced the quivering husk, and reassured Rita it's going to be okay. Rita agreed and rubbed Deborah's declined back, and said of course it will be, Edith. They'll get through this together. She declared she's so blessed to have a sister who is so close, one with whom burdens are shared.
                Rita's tears transitioned from sad to happy while Deborah's remained sad. Deborah did despair, though, she lamented. She'd rather be her own aunt than a complete stranger to her mother. Because it's not a lie if you fail to set the record straight. Because Rita is more contented by this gracious error than the unforgiving truth of the situation: that Esther died fifty-five years ago, but died again three minutes ago, that Aunt Edith passed on more than twenty, and that Rita is eighty four and the final fruit of the Fuller tree.

***

                Emotions emanate from an unknown origin. Mrs. Fuller finds her cheeks damp. She rubs the moisture around and clears the corners out behind the glasses. She rolls the residue between her fingers methodically. These motions require concentration. She appreciates the sensation, so she continues until it becomes sticky. Mrs. Fuller has a propensity to see without registering. Her eyes are open. There are colors and shapes, but they have no import. She is in her fingertips. The echoes of her frustration recede into the lightly molding vinyl siding and the suburbs beyond. She has returned to where she started. Vacancy is her home.
                The golden sun is a tarnished sliver for a moment and disappears. Ochre dims to rust as the sky strains to recall the daylight. Navy steadily advances overhead, attacking from all fronts. She feels relieved of a certain pressure, but grows uncomfortable. Her seat begins to itch. Something is amiss, but something is always amiss. She only wants to be here, here with her disease and fearless, filling her holes with what life continually offers or has not taken back.
                With trips out west and Arizona’s martian terrain. With the Airstream in tow, barreling down two lane roads for days and Debbie sleeping in the bathtub to stay cool. Brisk early mornings with a tea kettle’s whistle and cookies from the filling station for dunking. Playing old maid on the fold-out table and Harold invariably losing. Connecting the dots between campgrounds. Tripping over every leg and corner in the dark to wake him up, a hefty bag of winnings from Reno thudding on the dresser. The two of them giddy, filling coin sleeves at 2:00 AM. Debbie in her nightie, hair a mess, rubbing her eyes by the bathroom door. Go back to sleep, Debbie dear. We’ll all celebrate in the morning. How do pancakes sound? With Harold embracing her from behind while she stirs noodles on the efficiency stove. Her blushed cheek on his tattooed forearm. With reunions of friends beneath the stars, the soda siphon sizzling. Kids squealing, trying not to be it. Going back a week later to where these two people carved out a little room for a third in this crazy, wounded world. Simple pleasures. Open road. Needlepoint to pass the time and jello molds to hold the dessert for when the gals get together for bridge. Those were the days. They still are the days, in a way.
                The sliding door opens unassisted behind her. It sounds like a whisper to hush, but no one is being noisy.
                "Oh there you are Miss Rita! Time to come back on inside, hun. It's going on eight. You got to take your pills, now, okay."

                Rita pretends not to hear the nurse. She would rather be dragged inside. This is her revolt. Her quiet rebellion. Mrs. Fuller's shoes scrape the sidewalk as she's retracted inside the automatic doors of the vestibule. She will not divert her gaze. The sun is nearly risen.